a network and online resource for researchers and practitioners working with mobilities in contemporary performance
E found that early attempts at wandering through Paris and London were frequently thwarted by the irresistible pull of the iPhone Maps application. How could e follow the psychogeographical contours of the city when the multinational data gatherers had been there already, rendering the streets and boulevards hopelessly knowable and searchable? Leaving the technology at home seemed disingenuous; a desperate nostalgic hankering for a bygone age before mobile internet. The city was no longer…
ContinueAdded by David Overend on December 2, 2012 at 10:30 — No Comments
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